museum of art and design: san jose state university
This project is for a new museum for
San Jose State University’s
School of Art & Design. Its 41,000 sq. ft. program includes
galleries, a theater, two apartments for visiting artists,
archival areas, a café, exhibition preparation areas,
teaching facilities and administrative spaces. The commission
for this museum was awarded through an international competition.
The museum’s design is predicated upon four geometrically-defined
ribbons that are the programmatic, technical, and formal catalysts
for each of the building’s four floors. These ribbons
are both telling and promissory: individually and in concert
with one another they define and connect the museum’s
spaces, thereby producing a series of laps, loops and layers.
At the scale of the site, the ribbons also articulate the museum’s
relationship to the campus. On the ground floor, they escape
the bar, forming overlapping landscapes of indoor and outdoor
spaces: the corner café draws people in off the campus
Paseo; gallery and lecture receptions spill from the lobby
out to the courtyard terrace; benches, tables, trees and the
café’s ribbon bar create a zone of activity along
the museum’s front facade.
The building envelope is conceptualized
in terms of material and geometric sympathy rather than opposition.
The laminated
glass ribbons are barely held in place by the building’s
taut, Cartesian facade. These geometries continually align
and realign as they wind their way among programs, balconies,
and materials. Their role is to choreograph unexpected syntheses
of use, perception, and form. Opacity and transparency—the
first as pre-cast concrete with glass aggregate and the second
as glass—oscillate here in a perpetual dialogue.
The ribbons of the SJSU art museum
bring forth an open figure, a geometric, material and formal
system whose figural quality
resonates with its open-endedness. Stemming not from resistance
or opposition, but instead from a desire to exploit, the open
figure is a prompt—a synthetic trigger for architecture’s
functional, aesthetic, and technical promise.
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